|
[an error occurred while processing this directive]
|
|
If you are performing custom installations and you don't offer video
calibration, not only are you missing out on a golden revenue
generation opportunity, but your client for all intents and purposes
might as well have purchased his or her display device down at Costco
or Best Buy. And now that even Best Buy has thrown their hat in the
ring, we need to be even more diligent about "accessory sales."
A valuable service such as video calibration is what sets those of us
in the CEDIA channel apart from the mass retailers. Calibration helps
us bring home our vital "value-add" message to our clients. Our
business model really comes down to quality and service. My motto is,
"If you're selling, sell quality."
Sounds obvious, but we must not forget that selling quality video means
more than selling a premium, high-quality brand of display. Selling a
great projector or TV without calibrating it is tantamount to
installing a swimming pool but not connecting it to a water supply, or
installing a professional quality range without hooking it up to a gas
line.
Everything ages, but not everything gets finer with age. Video displays
are a good example. Light-based displays, for example, will change over
time. You should calibrate such a product at the time of install, and
again at the end of the lamp life when a new lamp goes in. Gradual
picture degradation will occur; LCDs generally a year or two after
normal use, a plasma annually.
Annual Calibrations
Remember that you are not in this to sell TVs; you are building
customers for life. Calibration helps you do this. Annual calibrations
are also fine upselling opportunities; you'll have exciting new
products, services, and upgrades to tell the client about on your
return visits.
Most consumers don't realize that factory presets are often geared to
look good on very bright sales floors--not in living rooms or theater
rooms. TV adjustment menus seem to get more complicated and intensive
every year, too. Very few consumers are capable of fine-tuning a set's
picture as well as we professionals can. Don't trust them to do so, and
don't let them think they're capable, either. But then again, I know I
am preaching to the choir.
The value of Imaging Science Foundation (ISF) calibration tools to our
industry is immeasurable. ISF enables certified technicians to deliver
professional cinematic standards to consumer televisions. Runco has
long used the slogan, "Bring Hollywood Home." ISF helps us do just that.
ISFccc Mode
I encourage you to sell and install displays with ISFccc mode
built in. Runco was the first projector manufacturer to implement
ISFccc mode on its projectors and flat panels, and it has proven
incredibly beneficial to me in terms of "idiot-proofing" my
calibrations. ISFccc is a safeguard against curious customers who may
think they "know how to do it better." It's a programmed setting that
ensures the viewer will get the best picture every time.
If you are not ISF-certified, I encourage you to become so. Not only
does it give you the skills to carry out a proper calibration, but it's
also something you can effectively market and sell as a certified
service to your clients.
It's great that Best Buy is acknowledging and putting the word out to
the masses that system calibration is important. It validates what
we've been doing all of these years. But it's also a challenge that
should push us to greater heights. We custom installation professionals
and ISF calibrators need to be the best.
Of course, you can perform a rudimentary calibration using the minimum
settings included with the purchase of most displays. It'll take you
about 30 minutes to align presets, color temperatures, and everything
else this way. But you can also offer and deliver full ISF calibration
as a service, and the installation will benefit from the wider variety
of measurement instruments and settings available.
Let me finish with some calibration tips and techniques from my experience:
• Evaluate the whole system, not only inputs. A proper video display
calibration must consider every component, signal patch, and source, as
well as the actual viewing environment and a customer's viewing habits.
• Hire an ISF pro for your team or become one yourself. But also
remember that video calibration quality goes beyond a one-time class.
Tried-and-true methodology and practice will serve you right. Many
manufacturers offer ISF training within their training courses, such as
at Runco Academy and Vidikron University.
• Calibration instruments are not intelligent, so don't assume they
are. Instruments cannot tell, for example, if light is coming from the
display, from a nearby window, or from light bulbs. Shield your
instruments to get the best picture. Bring photographer drape, adjust
the shades, and block as much ambient light as possible--or wait until
it is dark to perform the calibration.
• Show the client the display at its best, and also at its worst. Show
high-definition and standard definition content. Although HD content
looks amazing, very few people are going to be watching only HD. SD
content will invariably be shown in the home. Spend more time on SD,
and you will have a well-informed customer who isn't forever whining
about his or her purchase. Calibrate the client's expectations, in
other words.
• Be aware of the environment. Correctly assess the products you carry
to maximize their performance in various room types and applications.
LCDs, plasmas, and projectors each offer unique technology solutions
geared to certain situations.
• Be careful not to fall in love with your instruments. Trust your
eyes. If your eyes say "green" and the instrument does not, believe
your eyes.
• Properly communicate just what you are doing for this customer. You don't have to show them how, but explain what and why.
Pat Bradley is a video calibration
consultant and industry veteran. He is also the instructor of Runco
Academy's Master Class-Mastering the Art of Home Cinema, accredited
training program.
|
|
|